Speaking of images, from now on all "finished" images on this site are publicly viewable. That includes the "four newest" ones as well.
One example from "Abstractions I" shall serve here as an appetizer.

Apropos Bilder, ab sofort sind alle meine Bilder auf dieser Seite öffentlich zu sehen. Dazu gehören auch die neuesten vier.
Ein Beispiel aus "Abstractions I" soll hier als Appetizer fungieren

This morning I have uploaded the current software. On the site itself, not much of this is even visible, but there are numerous background features and a greatly improved admin panel. Going forward, this will take a lot of work off my hands when it comes to managing images — or at least make it easier. After all, there are now 221 images.

As a new feature we have now a hotline, where I can be reached directly by all visitors.

Last night I uploaded the current software versions of ANIS (5.1) and its art-gallery add-on ART (2.0). Both represent a significant departure, in that they were created with the support of artificial intelligence. For those who are curious: with Anthropic's Claude, model Opus 8.4 /Code. And the experiment was absolutely worth it. But judge for yourselves.

Now, however, to the main point. Since December — to be precise, since my return from Berlin and its surroundings — I've barely been creatively active. Still, a handful of new images did emerge over the past eight months here and there, and in recent days they've been cleared for publication. These images can be marveled at here from now on. And plenty of people will marvel, of that I'm quite certain — marvel, be puzzled, raise an eyebrow, laugh, but then also shout out in delight, and perhaps even want to purchase one.

At the same time, the 28 images that had been on display since October 2025 have been taken down again, and in their place, images from my very first project, "Power Flowers," are being shown publicly for the first time. There's something quite special about these images too: they're a joint project with my wife, who "shot" the base pictures for them. Though she herself can barely recognize them now. But see for yourselves — simply click on "Work" under Content in the sidebar menu.

In addition, a selection of images from my project "Finally Vanishing in the Mirror" will also be on view for a while.

By the way, one thing should hopefully be clear to all visitors here: yes, all of this can be viewed on a phone. But if you actually want to see something, you should come back via PC (or at least a laptop). And even that is only a stopgap — the whole truth hangs exclusively on the wall.

The day before yesterday, my dentist and orthodontist tortured me for hours.
That left impressions I had to process.

My next trip is coming up — again the Müritz region, with a stopover at the Art Hotel in Havelberg.

Und auch wieder nicht.
Aber zumindest photographisch kaum tätig. Eines ist zwischendurch trotzdem entstanden, wieder in der Serie "Abstractions II".

And also not.
But photographically, hardly active at all. Still, one thing did emerge in the meantime, again in the series "Abstractions II."

Diesmal habe ich die Gelegenheit genutzt, um den Sportboot-Führerschein gemacht. Das photographische Ergebnis will ans Tageslicht:

<boattrip to nowhere>
Damit ist das Projekt "Abstractions II" eröffnet.

This time I used the opportunity to get my powerboat license. The photographic result wants to see the light of day:

This opens the project "Abstractions II."

Sehnsucht und Leidenschaft halten an